南方周末:这些年,严肃的历史剧在剧集市场缺席已久,大家还是会去回看《大明王朝1566》《雍正王朝》等等“解渴”,《太平年》播出之后,其实很多观众表达出了对历史剧的兴趣,从创作者的角度看,你觉得当代观众对历史剧的需求体现在哪里?
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